Phra Somdej 9 Chan Hubaysri Khang Daw (Jumbo) • Early Batch
Chao Khun Tieng (CK Tieng) • Wat Rakang Kositaram, Bangkok • BE2507 (1964) • Very Rare Pim
%20Wat%20Rakang%20(Very%20Rare)%20.png "Phra Somdej 9 Chan Hubaysri Khang Daw (Jumbo) — CK Tieng — Wat Rakang")
Main overview of the early-batch Phra Somdej 9 Chan Hubaysri Khang Daw (Jumbo) under Chao Khun Tieng at Wat Rakang; notable for the 9-tier form and star-motif (Khang Daw) frame.
Archaeological Provenance & Historical Significance
This early-batch 9-tier (9 Chan) Somdej with Khang Daw (star-trim) frame is associated with BE2507 (1964 CE) consecrations at Wat Rakang Kositaram during the tenure of Phra Thep Sitthiyanak (Chao Khun Tieng). It represents a mid-20th-century revival of high-discipline Somdej presses in the Rakang lineage—preserving the poised Buddha silhouette, stepped throne, and canonical spacing while employing carefully curated powder formulas.
Historical Note
Post-classic Rakang Somdej works sought to uphold the visual language of Somdej Toh’s school—clean tiers, serene facial plane, and balanced margins—while standardising presses for devotional distribution. Early-batch Jumbo molds are scarcer, prized for their clarity and study value.
Obverse: 9 Chan tiers with balanced press rhythm; the Jumbo frame magnifies the shoulder contour and throne-step cadence.
Wat Rakang: Temple of Origin & Lineage
Wat Rakang Kositaram is the cradle of the Somdej canon. Under CK Tieng, production emphasised devotional readability and ritual integrity, maintaining the school’s classical grammar—serene face, crisp pedestals, and proportional star-edged (Khang Daw) borders that distinguish this mold family within the modern Rakang continuum.
Reverse: age-appropriate surface development; observe micro-pores, layered powder stratification, and edge granularity used in authentication.
Materials, Craftsmanship & Technical Specifications
| Amulet Type / Pim | Phra Somdej 9 Chan “Hubaysri” Khang Daw — Jumbo (Early Batch) |
| Creator / Supervisor | Phra Thep Sitthiyanak (Chao Khun Tieng), Wat Rakang Kositaram |
| Consecration Year | BE2507 (1964 CE) |
| Primary Material | Mixed sacred powder matrix — Nur Phong with Bai Lan scripture ash and Nur Din clay component; temple herb powders and holy water |
| Production Method | Compression molding; hand finishing; star-motif (Khang Daw) frame detail; controlled press rhythm |
| Authentication | Temple/lineage attribution; third-party certificate not provided for this specimen |
| Preservation | Collector-grade; stable matrix, readable tiers, and consistent surface development |
| SKU Reference | TAC-PS9C-CKT-2507-JMB |
The mixed matrix (Nur Phong + Bai Lan + Nur Din) yields a tactile grain with fine micro-pores and naturally varied tonality. Early presses show confident tier edges and neat shoulder curvature; the larger Jumbo format helps experts read press cadence, wear patterning, and age-consistent patina.
Edge & detail planes: read stratified powder, border star-points, and natural, non-mechanical wear; helpful for Pim verification.
Traditional Spiritual Attributes & Purposes
Klaew Klaad (Safe Passage)
Avoidance of harm and smooth passage through obstacles in travel and work.
Metta Mahaniyom (Loving-Kindness)
Goodwill, patron support, and harmonious relationships.
Maha/Choke Larp (Fortune)
Attraction of timely opportunities and prosperity in livelihood.
Sati-Paññā (Mindfulness & Clarity)
Steady mind and ethical composure inspired by the Somdej icon’s serene form.
Academic/Collector Disclaimer: Attributes reflect Thai Buddhist lineage beliefs and cultural tradition; effects are not scientifically verifiable and vary by individual.
Rarity Assessment & Collector Significance
Early-Batch Jumbo: Scarcer than standard sizes; the enlarged field improves readability of mold grammar for study and competition.
Material Study: Mixed matrix (Nur Phong + Bai Lan + Nur Din) with age-true micro-pores and stratified grain is increasingly selective on the market.
Authentication Focus: Tier edges, shoulder curve, star-trim geometry, reverse stratification, and edge granularity; provenance notes strengthen confidence.
Conclusion
The Phra Somdej 9 Chan Hubaysri Khang Daw (Jumbo) • BE2507 stands as a quintessential Rakang-school study piece—merging the classical Somdej idiom with CK Tieng’s mid-century stewardship. For devoted wearers and scholars alike, it offers devotional utility, historical continuity, and exemplary mold discipline in a rare, early-batch format.
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Disclaimer: Information is provided for cultural and academic appreciation. For high-value acquisitions, complement with independent expert inspection and documentation.