帕菩它洛纳塔那寇醒又名帕纳塔那 (小金佛) 佛年2394 / Phra Pheng Panjalej Rattanakosin BE2394

帕菩它洛纳塔那寇醒又名帕纳塔那 (小金佛) 佛年2394 / Phra Pheng Rattanakosin BE2394

with Thaprachan Certificate

Phra Pheng Rattana 

Brass Buddha Image from the Early Rattanakosin Period (BE2394)

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General Information

• Name: Phra Pheng Rattana Panjalej 

• Material: Cast brass 

• Year Created: BE2394 (1851 CE)

• Era: Early Rattanakosin Period (Reign of King Rama IV, King Mongkut)

• Style: Classical Thai Buddhist Art with five-fold radiance (“Panjalej”)

• Height: Varies by piece; mostly small-to-medium votive statues

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Historical Background

The Phra Rattana Panjalej was cast during a time of great religious and cultural revival in the early Rattanakosin Kingdom, under the reign of King Rama IV (King Mongkut). This era was marked by a return to orthodox Buddhism, scholarly reform, and artistic refinement of sacred iconography.

The name “Panjalej” (ปัญจเลศ) refers to the five radiant glories or auras that surround the Buddha’s head or body. These symbolize the supreme qualities of the Buddha:

1. Wisdom (Paññā)

2. Compassion (Karunā)

3. Purity (Suddhi)

4. Enlightenment (Bodhi)

5. Radiance (Tejo)

Such imagery was intended to elevate the spiritual authority of the image and reinforce the sanctity of the Buddha as a cosmic and enlightened being.

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Amulet Characteristics

• Material: Solid brass alloy (commonly known as “thong leuang” or yellow metal)

• Design: Buddha seated in Maravijaya (Victory over Mara) or Samadhi (Meditation) posture

• Base: Often lotus-style or tiered plinth

• Back of Image: Typically plain or engraved with yantras or script depending on batch

• Finish: Natural oxidation over time; aged patina often visible, indicating authenticity

The facial expression and casting details reflect the fine craftsmanship of the period, where each piece was meticulously hand-poured and finished.

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Purpose and Use

These images were not mass-produced amulets but small-sized votive statues or images intended for:

• Personal worship and shrine use

• Royal and monastic offerings

• Temple distribution during important renovations or festivals

They were considered sacred protectors, offering blessings of:

• Spiritual purity and wisdom

• Protection from harm

• Merit accumulation

• Blessings of peace and clarity of mind

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Rituals and Consecration

It is believed that these sacred images were blessed by senior monks of the time, likely including court monks or high-ranking Sangha members affiliated with temples like Wat Phra Kaew, Wat Rakhang, or Wat Bowonniwet.

Although no formal mass consecration records exist, traditional Thai consecration ceremonies would have included:

• Buddha Abhiseka chanting

• Invocation of Devas and Protectors

• Lighting of auspicious candles (Tien Chai)

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Rarity and Collector’s Value

• Considered rare, particularly due to its age and historical significance.

• Highly sought after by historians and serious collectors of early Rattanakosin religious artifacts.

• Original pieces show natural wear, brass oxidation, and deep casting lines.

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Summary

Phra Rattana Panjalej is a rare example of early Rattanakosin devotional art, symbolizing spiritual enlightenment, protection, and royal-era craftsmanship. Its five-fold radiance represents the holistic glory of the Buddha, and its survival over 170 years makes it a valuable heritage piece of Thai Buddhist faith and artistry.