Phra Pidta Lang Yant Nur Din (Fire Clay) BE2450-2500 Wat Ku Yang Consecrated by reputable monks such as Lp Boon, Lp Koon, Lp Derm, etc..

Phra Pidta Lang Yant Nur Din (Fired Clay) BE2450-2500 Wat Ku Yang Consecrated by reputable monks such as Lp Boon, Lp Koon, Lp Derm, etc.. 

 

Phra Pidta Wat Ku Yang – Fired Clay Edition

Type: Phra Pidta (Closed-Eyes Buddha)

Material: Sacred Fired Clay 

Temple: Wat Ku Yang, Amphoe Mueang, Kamphaeng Phet Province

Estimated Period: Circa B.E. 2450–2500 (Early–Mid 20th Century)

Certification: Regionally recognized, highly sought by traditional collectors

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1. Background of Wat Ku Yang

Wat Ku Yang is a historically significant temple in Kamphaeng Phet Province, closely tied to the forest monk tradition of the lower northern and upper central Thai regions. The temple’s name refers to an ancient moat or pond (“Ku”) and possibly a sacred tree (“Yang”) located within the monastic compound, indicating a spiritually charged site suitable for Vipassana practice and sacred amulet creation.

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2. Design and Features of the Amulet

• Image: Phra Pidta posture, depicting the Buddha covering his face with both hands, representing the closing of six sense doors to attain inner awakening

• Reverse: Often plain or marked with temple stamp; some pieces bear sacred yantra or incantation lines

• Material: Clay sourced from temple grounds, mixed with:

  • Ashes from joss sticks and candle drippings used in chanting

  • Powdered remains of older amulets (Phong Wan and Phong Itthijay)

  • Sacred soil and plant materials collected from forest monastery rituals

• Color: Natural earthy tones—light brown, red clay, or darker hues due to firing intensity

• Size: Small to medium, easy to wear, frequently found encased in traditional bronze or lacquered casings

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3. Purpose of Creation

This batch of Phra Pidta was produced during a period of religious revitalization in Kamphaeng Phet. The key objectives were to:

• Support temple restoration and education projects

• Distribute to villagers for spiritual protection and blessing of the land

• Uphold the tradition of sacred clay amulets, which trace their roots back to the Sukhothai and early Ayutthaya periods

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4. Monks Involved in Consecration

The consecration ceremony (Phuttha Phisek) of Phra Pidta Wat Ku Yang involved both local and visiting high monks known for their spiritual attainments:

Principal Participants:

• Luang Pho Khun, Wat Nong Yama (Kamphaeng Phet)

  • Revered regional monk involved in major blessings and known for strict Dhamma discipline

• Luang Pu Derm, Wat Bamphen Nuea (Phichit)

  • Powerful forest monk whose presence added mystical potency

• Luang Pu Boon, Wat Klang Bang Kaew (Nakhon Pathom)

  • Though from the central region, his sacred powder and ritual support were included in many clay amulet batches during that era

• Senior monks from Wat Aranyik and Wat Phra Borommathat, Kamphaeng Phet

  • Contributed ritual chanting and blessing during overnight sessions

These monks collectively conducted:

• 7–9 day candlelight chanting

• Invocation of protective deities and Dhamma guardians

• Traditional kiln-firing ritual, symbolizing transformation of the earthly into the sacred

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5. Believed Powers and Benefits

Phra Pidta Wat Ku Yang is highly regarded for:

• Klaew Klaad: Evasion of danger and misfortune

• Metta Mahaniyom: Enhanced charm and likability, especially in trade or social life

• Kongkrapan Chatri: Invulnerability against physical harm and black magic

• Samadhi Strengthening: Encouraging calmness, mental clarity, and meditative absorption

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6. Rarity and Collector Recognition

• Original fired clay pieces from Wat Ku Yang are now rare, especially those with clear detail and intact edges

• Commonly appear in regional Thai amulet exhibitions and competitions

• Often certified by local collector networks or accompanied by oral provenance