Mae Nang Kwak Nur Mai Niew Dam (Black Ebony Wood) BE2520 Luang Phor Kong Wat Wang San Phra Rot, Chanthaburi

Mae Nang Kwak Nur Mai Niew Dam (Black Ebony Wood) • Black Ebony Wood

BE2520 • Wat Wang San Phra Rot, Chanthaburi • Luang Phor Kong • Thaprachan certificate

Mae Nang Kwak (แม่นางกวัก) carved in Mai Niew Dam (ไม้เนื้อดำ) — a traditional “calling-in” figure associated with trade and welcomed customers in Thai amulet culture.

What This Piece Represents (Collector Lens)

In Thai devotional and collecting culture, Mae Nang Kwak is a “calling-in” presence—often placed or carried by devotees who focus on livelihood, storefront harmony, and human rapport. Collectors typically read a piece like this through three lenses: (1) the icon itself (gesture, posture, and expression), (2) the material (wood character and aging), and (3) the credibility cues (documented attribution and certification). This listing presents a classic Mae Nang Kwak in dark wood tone, attributed to Luang Phor Kong of Wat Wang San Phra Rot (Chanthaburi), with a Thaprachan certificate included as proof in the photo set.

Amulet Information
Name: Mae Nang Kwak 
Material: Black Ebony Wood (Mai Niew Dam / ไม้เนื้อดำ) 
Year (BE): 2520
Temple: Wat Wang San Phra Rot, Chanthaburi
Monk: Luang Phor Kong 
Lineage Note: Listing attribution to Luang Pho Kong (Wat Wang San Phra Rot). Supporting proof shown: Thaprachan Certificate.
SKU: TAC-LPKONG-NANGKWAK-001
Price: SGD 388

History & Lineage Context

Mae Nang Kwak figures appear across many local traditions in Thailand, commonly associated with marketplace life and household prosperity practices. Collectors often see these figures as “living culture objects” (ของมงคล) that reflect how devotees blend daily work with merit-minded intention.

The listing attributes this piece to Luang Pho Kong and Wat Wang San Phra Rot (Chanthaburi). Beyond that attribution, the listing does not specify the consecration ceremony details, batch naming, or issuing purpose. The included Thaprachan certificate is presented as the main documentary cue for authentication in this listing.

For lineage-sensitive collectors, the usual best practice is to verify: name spellings, temple identification, and certificate details (numbering/issuer format) against recognized references or qualified evaluators. 

About the Material

Dark wood figures described as Mai Niew Dam (ไม้เนื้อดำ) are valued for their dignified appearance and the way the surface patina develops with time. In collector practice, wood pieces are read by grain density, carving crispness, and natural aging—rather than by shine alone.

• Visual character: Deep, near-black tone that tends to photograph with warm highlights under light—common in dense dark woods.
• Collector checks: Look for consistent wear at edges and natural pore/grain behavior rather than uniform “new” coloring.
• Stability note: The listing does not specify sealing/oiling history; serious collectors typically keep wood away from extreme heat/humidity swings.

Design / Pim / Variant Notes

Mae Nang Kwak iconography is usually recognized by the welcoming gesture—inviting opportunities and customers “inward.” Collectors often compare: facial expression, the clarity of hands and sleeves, and how the carving resolves the figure’s base (a place where age, handling, and authenticity cues often appear). This listing includes multiple angles—front, back, sides, base, and height—supporting close visual study.

Traditional Spiritual Attributes & Metaphysical Properties

In Thai amulet culture, Mae Nang Kwak is traditionally linked with gentle attraction and commercial goodwill—often described through terms like metta (เมตตา, warm likability) and maha-lap (มหาลาภ, auspicious gain). Devotees commonly frame the practice as intention + merit: keeping honest trade, making offerings, and using the figure as a reminder of discipline rather than a guarantee of outcomes.

• เมตตา (Metta): Traditionally associated with softening interactions—welcoming customers, easing negotiations, and improving rapport.
• ค้าขาย / เรียกลูกค้า: “Trade support” and “calling customers” intention commonly referenced for Mae Nang Kwak devotees.
• โชคลาภ (Chok-lap): Auspicious luck framing—often paired with personal ethics and merit-making in practice.

Rarity Assessment & Collector Significance

The listing positions this as a BE2520 Mae Nang Kwak in dark wood, attributed to Luang Pho Kong of Wat Wang San Phra Rot (Chanthaburi), with a Thaprachan certificate shown. From a collector’s perspective, the significance here comes from the combination of (1) a clearly recognized devotional icon type, (2) the material presence and aging cues visible across multi-angle photos, and (3) the included certification photo. The listing does not specify production quantity, release context, or an official batch name—so rarity should be treated as “collector indicators” rather than a confirmed limited issue.

Conclusion

As presented, this is a respectful Mae Nang Kwak (แม่นางกวัก) figure in Mai Niew Dam (ไม้เนื้อดำ), dated BE2520 and attributed to Luang Pho Kong of Wat Wang San Phra Rot (Chanthaburi), supported by a Thaprachan certificate in the photo set. For collectors, it sits at the intersection of devotional culture, material craft, and documentation—best appreciated with careful visual study and independent verification where needed.

Full Photo Reference Set

Front — facial expression, hand gesture, and carving lines.

Back — surface patina and overall proportion.

Side (Left) — silhouette and carving depth.

Side (Right) — symmetry and edge wear cues.

Base — finishing details and stability.

Height — overall proportions (exact measurements not specified in the listing).

Thaprachan Certificate — shown as listing proof.

Explore Related Topics

• Biography of Luang Phor Kong Wat Wang San Phra Rot

• Explore more Mae Nang Kwak amulets

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Disclaimer: This article is for education and collector appreciation. Lineage/consecration notes are based on the details provided in the listing. Collectors should perform independent verification and consult qualified experts when needed.