Phra Kaew Morakot Roon 3 (5-Inch Lap) • Nur Phong Nam Pi (Special Iron)
BE2561 • Wat Ban Jan • Issued as a large-format Bucha / altar piece for devotional veneration • Listing notes associate this release with Luang Pu Moon Thitasilo’s Wat Ban Jan lineage
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Large-format Phra Kaew Morakot (พระแก้วมรกต) — “Roon 3” (รุ่น 3) in Nur Phong Nam Pi / Lek Nam Phi (ผงแร่เหล็กน้ำพี้), presented in a 5-inch lap posture for altar placement.
What This Piece Represents (Collector Lens)
In Thai Buddhist culture, the image of Phra Kaew Morakot (พระแก้วมรกต, the Emerald Buddha) is treated as a national-level devotional symbol—less about “wearing for effect,” and more about anchoring a home’s daily practice. Collectors typically read large Bucha pieces like this as “house-barami” (บารมี) objects: a steady, visible reminder of refuge (ไตรสรณคมน์) and discipline, expressed through respectful placement and routine merit-making rather than dramatic claims.
Amulet Information
Name: Phra Kaew Morakot Roon 3 (พระแก้วมรกต รุ่น 3) • 5-Inch Lap
Material: Nur Phong Nam Pi / Lek Nam Phi (ผงแร่เหล็กน้ำพี้) • “Special Iron” (listing-noted)
Year (BE): 2561
Temple: Wat Ban Jan (วัดบ้านจั่น)
Monk: Mass Chanting
Lineage Note: A Wat Ban Jan-issued Bucha Phra Kaew Morakot release; listing notes connect the batch to Luang Pu Moon Thitasilo’s consecration tradition.
SKU: Not available
Price:
SGD 238
History & Lineage Context
The Phra Kaew Morakot image holds a special place in Thai religious life because it represents the protective heart of the kingdom’s Buddhist heritage. Many Thai homes keep a Phra image for daily salutation (ไหว้พระ) and to cultivate a calm, orderly mind through steady practice—lighting incense, offering water, chanting, and dedicating merit (อุทิศส่วนกุศล). When temples issue larger Bucha pieces, collectors usually treat them as devotional objects intended to be seen and respected, not hidden away.
For Wat Ban Jan releases associated with Luang Pu Moon (as noted in the listing), the collector lens often emphasizes “lineage of practice” more than headline mythology—how the object was created, blessed, and cared for within a temple community. In practical terms, that means paying attention to the batch naming (รุ่น), year, temple identity, and consistency of workmanship across examples, rather than relying on dramatic stories.
This piece is described as “Roon 3” and presented in a large 5-inch lap format. In the market, bigger altar formats typically indicate an issue purpose related to home veneration, donation support, or commemorative temple needs—where the object functions as a respectful focal point for routine merit-making (ทำบุญ) and mindful living.
About the Material
Lek Nam Phi (เหล็กน้ำพี้) is a revered material family in Thai sacred-object culture, traditionally connected to “protective metal” symbolism. When described as Nur Phong Nam Pi (เนื้อผงน้ำพี้), it generally indicates a powder-based composition that incorporates Nam Phi-related mineral content, then formed into a solid devotional image. Collectors usually evaluate such pieces by texture, density, surface feel, and the stability of the pressed form—especially on large-format Bucha items.
- Powder-pressed compositions often show fine grain, small speckling, and a “dry” matte surface typical of nur phong (เนื้อผง) builds.
- Nam Phi-related descriptions usually carry a protective framing—collectors look for a calm, grounded “house presence” rather than flashy aesthetics.
- On large Bucha pieces, edges, base integrity, and consistent curing are important cues for long-term stability and careful storage.
Design / Pim / Variant Notes
The design centers on the seated Phra Kaew Morakot posture in a compact, altar-friendly form. Collectors often read this “lap-scale” format as intentionally balanced—large enough to command attention on a home shelf, yet not so tall that it becomes difficult to place respectfully. The “Roon 3” (รุ่น 3) designation is the key variant identifier here; when comparing pieces, emphasis is typically placed on proportion consistency, clarity of facial silhouette, and the clean finishing of the base.
Traditional Spiritual Attributes & Metaphysical Properties
In Thai amulet culture, Phra Kaew Morakot imagery is commonly framed around barami (บารมี) and “protective steadiness” rather than quick, transactional wishes. Devotees often relate such altar pieces to cultivating a composed home atmosphere, encouraging restraint, and strengthening intention through regular practice (ภาวนา). These are traditional attributions and should be understood as belief-based cultural framing, not guarantees.
- คุ้มครอง (Khumkhrong) — a protective emphasis, often expressed as “peace in the home” and careful decision-making.
- เมตตา (Metta) — softening the household tone: patience, kinder speech, and smoother relationships.
- บารมี (Barami) — a devotional anchor that supports consistency in merit, discipline, and mindful living.
Rarity Assessment & Collector Significance
As a collector item, this piece stands out primarily for its large 5-inch lap format and the Nam Phi (เหล็กน้ำพี้) material framing in a pressed-powder devotional build. Large Bucha items are typically less “everyday” than small pendants—storage, handling, and shipping risks naturally reduce how often clean examples circulate. Without official production counts or certification details in the listing, a careful stance is best: collectors usually treat it as special-format rather than declaring hard rarity, and will compare condition cues (base integrity, surface stability, and overall proportion) across known examples of the same “Roon 3” designation.
Conclusion
This Phra Kaew Morakot Roon 3 from Wat Ban Jan (BE2561) is best appreciated as a devotional Bucha piece—an object meant to be placed respectfully, seen daily, and tied to steady practice. For collectors, its appeal comes from the Nam Phi material theme, the substantial 5-inch lap presence, and the way it represents “home-barami” culture in a calm, grounded form.
Full Photo Reference Set
Front view — facial silhouette and posture clarity (พิมพ์) are key collector cues on large Bucha pieces.
Back view — surface stability and uniform curing are practical condition indicators for pressed nur phong (เนื้อผง).
Base / underside view — the foundation and edge condition matter most for long-term display and safe placement.
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Disclaimer: This article is for education and collector appreciation. Lineage/consecration notes are based on the details provided in the listing. Collectors should perform independent verification and consult qualified experts when needed.