Luang Pu Pan (Supanno) — Phra Upachaya Pan
Stream: Bangkok (Dusit–Kiak Kai) • Specialization: Vipassanā & wicha (sacred spells)
Ordination/Role: Upachaya (Preceptor) • Known as a disciple in the tradition of Somdet Phra Phutthachan (To)
At-a-Glance
- Monastic Title: Phra Upachaya Pan (Supanno)
- Common Name: Luang Pu Pan Supanno
- Actual Residence & Office: Wat Mai Thong Sen, Kiak Kai, Bangkok (2nd Abbot, ~1887–1929)
- Misattribution: Frequently (but incorrectly) said to reside at Wat Saphan Sung due to distribution of his amulets there by a close disciple (Ajarn Jek)
- Later Years: Retired to relatives at Wat Bang Krabue (Wat Pracharabue Tham), Rama V Rd, Dusit — remained there until passing
Early Life & Monastic Background
Contrary to popular belief, LP Pan was not a resident monk of Wat Saphan Sung. His life’s work centered in Dusit–Kiak Kai where he became the second abbot of Wat Mai Thong Sen (formed by uniting the former Wat Yai Thong Sen and Wat Pa Lelai). His stewardship combined quiet discipline with practical administration, shaping a cohesive monastery from two legacies.
Temple Restoration & Contributions
Within the new precinct, he oversaw the housing of Luang Pho To—a grand image in Pang Pa Lelai posture—originally initiated under Phra Thamma Udom (Thuk), the first abbot and sermon partner of Somdet Phra Phutthachan (To) of Wat Rakhang. LP Pan likewise supported religious infrastructure beyond his own monastery, including works at the old Wat Huai Khwang (now Wat Kunnathirutharam).
Later Years & Relocation
As his reputation for Vipassanā and wicha grew, crowds—especially seekers of “lucky numbers”—pressed upon the monastery. To protect the quiet of practice, he relocated to stay with a relative, Somphot Kong, at Wat Bang Krabue (Wat Pracharabue Tham) on Rama V Road. He remained there until his passing.
Amulet Creation — Somdet Lineage
LP Pan is remembered as a direct disciple in the tradition of Somdet Phra Phutthachan (To), crafting powder amulets in the classic Somdej Wat Rakhang style, with great restraint in output (he is regarded as one of the least prolific in Somdet Toh’s circle). Most were made while at Wat Mai Thong Sen.
- Phra Somdej — two principal forms: deep-cone and shallow-cone relief.
- Phra Pidta Maha Ut — distinctive Chula Kite (ว่าวจุฬา) silhouette.
- Phra Nak Prok — produced for enshrinement at Wat Phra Kaew during the Rattanakosin Centennial.
Material Characteristics & Recognition
- Texture: tactile, rougher matrices of sacred powders, minerals, shell lime.
- Composition: closely mirrors Somdej Wat Rakhang materials and finishing.
- Attribution notes: certain deep-cone Somdej have been misidentified as original Wat Rakhang pieces due to the striking resemblance.
Sacred Power & Reputation
Collectors and devotees seek LP Pan’s work for broad, steady blessings—mettā, protection from harm, and good fortune—rooted in meditation rather than spectacle. The long-standing association with Wat Saphan Sung likely arose from distribution by his disciple Ajarn Jek there; the life and practice, however, are firmly anchored at Wat Mai Thong Sen and the quiet corners of Dusit.