Phra Khun Paen Plai Khu Pim Thewada Yai (Big) • Ancient Sacred Clay
400–500 years (Late Ayutthaya era attribution) • Wat Bang Krang (Wat Bangkrang), Nonthaburi • Plai Khu (ปลายคู) crypt discovery tradition • Samakom (Samakorn) certified reference
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Collector overview of an ancient Phra Khun Paen “Plai Khu” (ปลายคู) group from Wat Bang Krang, Nonthaburi — the Pim Thewada (เทวดา) iconography is central to this mold family and its traditional “guardian” framing.
What This Piece Represents (Collector Lens)
Phra Khun Paen Plai Khu, especially in Pim Thewada Yai (พิมพ์เทวดาใหญ่), is collected as “history you can hold.” The key idea is not a named modern monk or a dated ceremony, but the older Ayutthaya-era temple practice of depositing sacred pieces into an underground chamber (ปลายคู) for preservation and prolonged consecration through time. Collectors read these amulets by material truth — texture, patina, burial saturation — and by mold identity, where Pim (พิมพ์) features become the map.
Amulet Information
Name: Phra Khun Paen Plai Khu • Pim Thewada Yai (Big)
Material: Ancient sacred baked clay (เนื้อดินเผาโบราณ) • mixed devotional substances (listing notes)
Year (BE): Not specified (era attributed: ~400–500 years old)
Temple: Wat Bang Krang (Wat Bangkrang), Nonthaburi Province
Monk: Not specified (Ayutthaya-era crypt tradition; blessing attributed to generations rather than a single named master)
Certificate:Samakom (Samakorn) certification is referenced as authenticity support.
Price:
SGD 608
History & Lineage Context
Listing notes frame this amulet as a late Ayutthaya-period Khun Paen group, approximately 400–500 years old, discovered within the Plai Khu (ปลายคู) — an underground chamber where sacred objects were intentionally buried. In older temple practice, such deposition served both preservation and long-term ritual intent: time, earth contact, and repeated devotional activity around the site are treated as part of the “consecration story,” even when specific written records are scarce.
The name “Plai Khu” is more than a label; it signals a category of evidence collectors look for: soil absorption, natural surface erosion, hairline cracking (ราน) that aligns with age, and a clay body that reflects mixed substances rather than uniform modern powder. These cues do not replace expert verification — but they shape how a collector reads whether a piece “belongs” to the crypt tradition it claims.
Wat Bang Krang (Nonthaburi) is described as an Ayutthaya-era monastery with a long association to Khun Paen amulets, including angelic/celestial iconography (เทวดา) and protective framing. The listing further references Samakom (Samakorn) certification as support for origin and authenticity; the listing does not specify an exact mintage, a single issuing monk, or a precise excavation date.
Material Notes: Ancient Sacred Baked Clay (เนื้อดินเผาโบราณ)
The material is described as ancient baked clay with mixed sacred substances — a common pattern for Ayutthaya-era amulets where “holy matter” is blended into the clay body. Listing notes mention mixtures consistent with Din Jed See (ดินเจ็ดสี), powdered remnants from prior sacred items, ash from ritual fires, and organic traces (herbs, pollen, betel ash) that can appear as inclusions or uneven texture. Burial in the Plai Khu environment typically deepens patina and creates the “earth-saturated” look collectors prize, without implying any guaranteed power.
- Texture truth: aged clay often shows layered pores, soil staining, and uneven mineral speckling rather than a flat, modern surface.
- Age cues: fine cracking (รานละเอียด), edge rounding, and natural wear patterns are studied as “time-consistent” indicators.
- Handling discipline: collectors avoid over-cleaning; removing patina can erase the very evidence used for evaluation.
Design / Pim: Pim Thewada Yai (พิมพ์เทวดาใหญ่)
Pim Thewada Yai is traditionally read as a “big mold” Khun Paen form where the angelic/celestial presence (เทวดา) becomes part of the protective narrative. Collectors examine (1) the main Khun Paen silhouette and seated posture, (2) the clarity and placement of Thewada motifs, and (3) relief depth that matches known old-mold families. The listing frames the iconography as a blend of Buddhist devotion and older cosmological symbolism common to Ayutthaya-era sacred art.
Traditional Spiritual Attributes & Metaphysical Properties
In Thai amulet culture, ancient Khun Paen groups are often associated with a trio of intentions: authority and presence (มหาอำนาจ), avoidance of harm (แคล้วคลาด), and social harmony (เมตตามหานิยม). With Pim Thewada, devotees may also frame the piece as “guided protection” — not as something proven or guaranteed, but as a devotional reminder to act with discipline, courage, and restraint, supported by merit-making (ทำบุญ) and right conduct.
- Maha Amnaj (มหาอำนาจ): traditionally carried for leadership presence, confidence, and “commanding calm” in tense situations.
- Klaew Klaad (แคล้วคลาด): a protective framing for travel, risk-heavy work, and periods of instability.
- Metta Maha Niyom (เมตตามหานิยม): used with intentions of rapport, respect, and smoother human dealings.
Rarity Assessment & Collector Significance
The collector weight here comes from three converging signals: (1) the Plai Khu (ปลายคู) crypt lineage attribution at Wat Bang Krang, (2) the Pim Thewada Yai mold identity (พิมพ์เทวดาใหญ่) described as rarer than more common Khun Paen styles, and (3) a Samakom (Samakorn) certification reference presented as authentication support. What the listing does not specify: an exact excavation record, documented issuing committee, or verified production count — so rarity should be treated as “collector indicators” rather than a fully quantified fact.
Conclusion
Phra Khun Paen Plai Khu Pim Thewada Yai (Big) is best approached as an old-line crypt tradition piece: judged by mold identity, material truth, and time-consistent surface evidence. The listing’s historical framing — late Ayutthaya, 400–500 years, Wat Bang Krang Plai Khu — sets the context, while Samakom certification is referenced as the modern support layer. For serious collectors, the right next step is always comparison and verification — and then quiet appreciation of what ancient clay can carry: craft, faith, and a long memory of place.
Full Photo Reference Set
Front reference — study Pim lines (เส้นพิมพ์) and Thewada relief placement for mold-family matching.
Back reference — look for earth saturation (คราบดิน) and age-consistent wear rather than “fresh” surfaces.
Samakon Box reference — with the certificate ID.
Samakon Box reference — with the certificate ID.
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Disclaimer: This article is for education and collector appreciation. Lineage/consecration notes are based on the details provided in the listing. Collectors should perform independent verification and consult qualified experts when needed.