Roop Lor Luang Pu Phuek Roon 1 (1st Model) • Nur Thong Daeng
BE2502 • Wat King Kaew, Samut Prakan • “Roon 1 (1st model)” portrait casting
Overview portrait casting (รูปหล่อ / roop lor) in copper alloy (เนื้อทองแดง / nur thong daeng), attributed by the listing to BE2502 • Wat King Kaew (Samut Prakan).
What This Piece Represents (Collector Lens)
In Thai amulet culture, a roop lor (รูปหล่อ) is a portrait-form remembrance: the “pim” is the sculpt itself, capturing presence through facial planes, robe rhythm, and posture. When a piece is attributed as Roon 1 (รุ่นแรก), collectors treat it as a time-marker — early releases often become reference points for later mould generations. The collector’s discipline here is simple: appreciate the portrait, but verify the “first model” claim through visible casting traits and trusted comparisons.
Amulet Information
Name: Roop Lor Luang Pu Phuek Roon 1 (1st model) • (Thai name not specified)
Type / Variant: Roop Lor portrait casting (รูปหล่อ) • Roon 1 (listing attribution)
Material: Nur Thong Daeng (เนื้อทองแดง) • copper alloy
Year (BE): 2502
Temple (issuer): Wat King Kaew, Samut Prakan
Monk: Luang Pu Phuek (biography details not specified in the listing)
Certification / Proof: Not Certificate
Price:
SGD 308
History & Lineage Context
The listing dates this portrait casting to BE2502 and associates it with Wat King Kaew (Samut Prakan), describing it as “Roon 1 (1st model).” The listing does not specify the official issue purpose (e.g., building fund, commemoration, temple project) nor the consecration committee record. Where documentary detail is absent, responsible writing stays inside what can be shown: period-consistent styling, casting method cues, and material ageing.
Luang Pu Phuek’s expanded biography is not provided in the listing. In collector practice, portrait amulets are still meaningful without long biographies: they are carried as a reminder of a teacher’s khruba-ajahn ideal (ครูบาอาจารย์) — discipline, steadiness, and moral clarity — rather than as a guarantee of outcomes.
The temple name is clearly stated as Wat King Kaew, Samut Prakan. Beyond the location, the listing does not provide temple-history notes or a printed “book reference.” If you are building a provenance file, this is the gap to fill: cross-checking through trusted collector archives, certificate-backed listings, or temple publications (when accessible).
About Nur Thong Daeng (Copper Alloy)
Nur Thong Daeng (เนื้อทองแดง) is a copper-rich alloy commonly used in portrait casting. Collectors value it not just for weight and warmth, but for how it holds detail and how it matures over time. When assessing older copper alloy pieces, the focus is on natural surface behaviour rather than “perfect newness.”
- Detail retention: copper alloy can preserve facial planes and robe flow when the mould is well cut and the pour is clean.
- Ageing cues: authentic patina often shows layered tonality, especially in recesses and under the robe folds.
- Handling evidence: gentle smoothing on high points (edges, cheekbone, robe ridge) can be consistent with long-term devotional handling.
Traditional Spiritual Attributes & Metaphysical Properties
In Thai devotional culture, portrait amulets are typically approached through practice framing — merit (บุญ), restraint, and mindful conduct — rather than superstition. Devotees often wear a teacher’s portrait as a “daily reminder” object: to stabilise intention, reduce impulsiveness, and keep one’s mind anchored.
- เมตตา (Metta): traditional association with calm presence and agreeable conduct — more about temperament than “results.”
- คุ้มครอง (Protection): a cultural framing of safety through mindfulness, careful choices, and remembering one’s teacher.
- แคล้วคลาด (Klaew Klaad): often understood as “avoiding harm” by staying alert and disciplined — not a guaranteed shield.
Rarity Assessment & Collector Significance
“Roon 1 / 1st model” claims matter in the roop lor world, because early mould generations often become the baseline for later comparison. However, the listing does not specify production quantity, sub-batches, or official documentation. From a collector’s standpoint, the meaningful indicators are practical: sculpt sharpness (especially facial geometry), consistent casting skin, natural oxidation patterns, and whether the base and edges show period-consistent finishing. Without release records, rarity should be stated as collector opinion indicators, not a hard fact.
Conclusion
This BE2502 roop lor of Luang Pu Phuek is best read as a portrait-led piece: the value is in the sculpt, the material maturity, and the listing-attributed “Roon 1” positioning. Treat it with respect, enjoy it as a teacher-remembrance object, and if you are collecting seriously under the “first model” label, prioritise reference comparison and documented provenance where possible.
Full Photo Reference Set
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Front view (ด้านหน้า) — portrait details and robe rhythm.
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Back view (ด้านหลัง) — surface tone and casting skin.
Side view (ด้านข้าง) was not provided in the listing images for this post.
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Disclaimer: This article is for education and collector appreciation. Lineage and dating statements are framed from listing-provided details (“attributed / listing notes”). Traditional spiritual attributions are described respectfully and do not guarantee outcomes. Independent verification is recommended for certification or valuation.