Mae Nang Kwak (招财女神) • Nur Mai Kae
BE2460–2477 • Wat Klang Bang Kaew, Nakhon Pathom • Luang Pu Boon (Khanthachoto) consecration line • With T-Amulet Certificate
A classic Mae Nang Kwak “inviting fortune” icon in aged wood (Nur Mai Kae) from the Wat Klang Bang Kaew lineage—kept by devotees who value steady trade, customer flow, and auspicious momentum.
What This Piece Represents (Collector Lens)
Mae Nang Kwak is one of Thailand’s most recognizable “house-and-shop” icons—an image people keep close when their livelihood depends on walk-in customers, repeat business, and smooth negotiations. Collectors don’t treat her as a fantasy figure; they treat her as a cultural symbol of discipline and readiness: open the shop on time, serve people well, speak kindly, and keep your accounts clean—then let “good timing” meet good effort. That is why Mae Nang Kwak amulets remain popular among merchants, salespeople, service businesses, and anyone who wants a practical, everyday reminder to attract opportunities with the right conduct.
This piece stands out because it is attributed to the Wat Klang Bang Kaew tradition under Luang Pu Boon—one of the most respected names in Nakhon Pathom collecting circles. When Mae Nang Kwak appears in this lineage, it tends to be framed in the same “real-life usefulness” language the temple is famous for: protection while working, steady cashflow, and the kind of fortunate turns that happen when your mind is calm and your decisions are timely.
Amulet Information
Name: Mae Nang Kwak (招财女神 / แม่นางกวัก)
Type / Pim / Variant: Hand carved Mae Nang Kwak, classic small-format piece for daily carry or shop altar pairing
Material: Nur Mai Kae (Aged Wood) • เนื้อไม้แก่ (often described in market notes as older sacred/auspicious wood; some listings specify Bodhi wood carving in this style)
Era / Year (BE): 2460–2477
Monk / Ajahn (primary): Luang Pu Boon (Khanthachoto) • Phra Phutthawithi Nayok
Temple (issuer): Wat Klang Bang Kaew
Province: Nakhon Pathom
Certificate: T-Amulet Certificate
SKU: TAC-LPBOON-NANGKWAK-001
Price:
SGD 600
History & Lineage Context
Wat Klang Bang Kaew is not “famous for one thing.” It is famous for a complete working lineage—especially charms and Buddha-images connected to protection, wealth flow, and the temple’s long-preserved wicha traditions. In collector writing, the temple is often introduced through its iconic creations (such as Bia Gae and the Jindamanee-related sacred traditions), then expanded into a broader map of “krueang rang” and devotional items produced across generations. That matters here because Mae Nang Kwak fits naturally into this ecosystem: a piece intended for real life, real business, and real daily routines—kept close, respected, and used with good conduct.
Luang Pu Boon Khanthachoto is widely recorded as being born in BE2391 (1848 CE), becoming abbot of Wat Klang Bang Kaew in BE2429 (1886 CE), and passing away on 4 April BE2478 (1935 CE). His reputation is consistently described in “help-the-people” terms—blessing, advising, and supporting devotees who came with problems of danger, misfortune, and livelihood. This is why amulets connected to his name—especially early-era pieces—carry a particular collector weight: not because they promise miracles, but because they are tied to a monk remembered for practical compassion and strong lineage transmission.
For Mae Nang Kwak specifically, Thai market notes often highlight that very old examples (especially carved wood) may show classic age cues—soft rounding, natural surface dryness, old pigment traces, and “period-correct” hand-finishing. Some Thai descriptions of Luang Pu Boon-era Mae Nang Kwak carvings mention details like visible aged coloration and traditional powder pigment on the head area—small cues collectors look for when assessing whether a piece “speaks the era.”
About the Material
“Nur Mai Kae” (aged wood) is valued for one simple reason: it ages honestly. Instead of becoming “shinier,” it becomes quieter—showing natural dryness, soft edge wear, and a mature tone that collectors recognize immediately when the piece has lived a long life. In older Thai carving traditions, wood is also appreciated as a “warm” material—comfortable to keep close, suitable for daily carry, and often paired with shop altars because it feels grounded and familiar rather than ceremonial-only.
- Texture & patina: aged wood typically shows fine dryness lines, softened high points, and natural tone variation—not a uniform “new” color.
- Hand-carving character: small asymmetries can be normal; what matters is the overall posture and “inviting” gesture that defines Mae Nang Kwak.
- Pigment traces: older pieces may carry faint red or powder pigment remnants in recessed areas—often mentioned in Thai collector notes as a classic sign of age and traditional finishing.
Design / Pim / Variant Notes
Mae Nang Kwak is typically depicted seated, composed, and “calling in” good fortune—an icon made for commerce, hospitality, and opportunity. This example is presented as a compact carved figure format (Nur Mai Kae), commonly chosen by devotees who want something portable while still suitable to be placed near a cashier counter, work desk, or business ledger area.
Traditional Spiritual Attributes & Metaphysical Properties
In Thai-Chinese business culture, Mae Nang Kwak is treated as a “flow” symbol—bringing the right customers, the right timing, and the right conversations. When paired with the Wat Klang Bang Kaew lineage, devotees often frame the intention in three layers: (1) metta and good reception, (2) protection while working and traveling, and (3) steady wealth momentum rather than reckless windfalls.
- Metta Mahaniyom: warmer reception, smoother negotiation, better “first impression” energy.
- Choke Laap / Maha Lap: improved opportunity flow—often interpreted as better customer traffic and lucky turns in commerce.
- Klaew Klaad (Protection): safety while traveling for work, meeting clients, or managing daily risks.
- Business discipline anchor: a constant reminder to keep speech kind, pricing fair, and decisions calm—so luck has a place to land.
Rarity Assessment & Collector Significance
From a collector’s standpoint, the “rarity” here is not only about the icon—it is about the era, the material, and the name attached. Luang Pu Boon passed in BE2478, so pieces attributed to the BE2460–2477 window sit firmly in the late-life period of an already-established master. In the Wat Klang Bang Kaew universe, collectors are familiar with famous signatures (Bia Gae, Jindamanee-related traditions, and other hallmark works), so a Mae Nang Kwak in aged wood becomes a meaningful side-branch: a practical charm form from the same cultural ecosystem of protection + prosperity.
The attached T-Amulet Certificate adds a modern layer of reassurance for buyers who want third-party authentication in addition to visual assessment. Still, seasoned collectors will always look at the piece itself: age cues, carving character, and whether the overall presentation is consistent with an older Wat Klang Bang Kaew-era devotional item.
Conclusion
This Mae Nang Kwak (招财女神) in Nur Mai Kae, attributed to Luang Pu Boon of Wat Klang Bang Kaew (BE2460–2477), is best understood as a “working life” sacred companion—kept for metta, steady opportunity flow, and protection while earning a living. For the right collector, it carries two strengths at once: the timeless Mae Nang Kwak symbolism, and the respected Wat Klang Bang Kaew lineage behind it.
Full Photo Reference Set
Front: main carving details and posture.
Back: reverse view for age cues and carving finish.
Certificate: T-Amulet authentication image (as provided).
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Disclaimer: This article is for education and collector appreciation. Lineage/consecration notes are based on the details provided in the listing and widely circulated collector references. Collectors should perform independent verification and consult qualified experts when needed.